Contemporary drawing: From the 1960s to Now
Drawing is at the very forefront of contemporary art practice. The radical shift in the treatment and development of drawing since the 1960s has resulted in a renewed status and relevance for it, with some of the most exciting artistic ideas of the last 50 years indebted to its use. This new study looks at three subjects: abstraction and drawing, how drawing came into its own when notions of art and the employment of media were radically challenged; drawing as narrative, borrowing and developing ideas on illustration, cartoon art, and the use of drawing with the moving image; and drawing as engagement, offering a visual description of our environment. Including work by artists such as Ellsworth Kelly, Agnes Martin, and Richard Serra, the book demonstrates that drawing is a popular, diverse, and ever-evolving medium.